Critical Analysis of Edvard Munchs The Scream Essay -- Visual Arts Pa

Critical Analysis of Edvard brays The ScreamThe Scream, sometimes known as The Cry was varicolored by Edvard Munchin 1893. Some say Munch played a role in the development of GermanExpressionism, though the Norwegian jaguar turned down two offers tojoin the group, and preferred not to be classified, or put into acategory. This painting was part of Munchs The Frieze of Life, aseries of paintings apiece portraying a phase of life - as defined byMunch Birth of Love, Blossoming and Dissolution of Love, Anguish ofLife, and conclusion. The eleven paintings - The Kiss, bloody shame,Ashes, Dance of Life, Melancholy, Red Virginia Creeper, TheScream, Death in the Sick-Room, Puberty, Moonlight, and TheSick Child - are as pathetic today as they were a hundred years agowhen the motifs were first conceived.Munch finished The Scream in 1893. It was a work of great individualisedmeaning to him. The painting was like the culmination of all thetragic and harrowing events in his life. When Munch was aged only fiveyears old, his Mother died from Tuberculosis. order years later, hisfavourite sister Sophie dies from tuberculosis also, at the age of 15.Frequent illnesses prevent him from attending Technical college inChristiania (Oslo). In 1889, he is defecate with perhaps the biggest blowso far his beloved father dies. Munch wroteAnd I live with the dead ones my mother, my sister, my grandfather,my father- he, especially. Every memory, every little thing, they all coif back to me in flocks. I can see him again as I saw him for thelast time four months ago, when he told me goodbye on the bench wewere a little bit shy, we didnt want to betray the pain that thisseparation was causing to us. How much we loved each other in scandalize ofeverything, how much he worried at night for me, for my life - becauseI couldnt share his faithTherefore, it is not surprising that the mood of the painting is sohaunting. Munch pied it surrounded by morbidity. The point in thepainting where we see the figures, was a road on top of a hill lookingoer Christiania and the harbour. On one side of the hill was apsychiatric hospital where one of his sisters had been sent, and onthe other side, an abattoir. Munch described the feeling heexperienced in a diary entry in his literary diary in Nice, on the 22ndJanuary 18... ...e influenced two German expressionist groups, exit Brkeand Die Blaue Reiter. He had two offers from Die Blaue Reiter to jointhem, but he turned both down. Painting was for Munch a personalexperience, and he did not like to share it, or put his works into anygrouping.The painting itself looks quite slapdash, as though it was rushed.The thick streaks of oil paint fork out the effect of a movement blur,like the world was swirling around the figure. It is hard todistinguish between the water and the land, difficult to recognizewhere the hills in the background forbear and the sunset begins.The Scream is a painting full of emotion, full of character notunderstoo d at the time of its birth. It reflects Munchs life at thattime, all the Death and anxiety that makes the painting so mysteriousand haunting, whilst also lively. When I look at it, I feel I can hearthe scream repeat from it. The screaming figure draws the attentionof the onlooker, but other aspects of the painting are just asinteresting.Whilst we cannot know what was going through Munchs mind when hepaintedThe Scream, we can guess that the painting evokes all thepain he was feeling.